About Beverly D'Angelo
Intriguing, inspiring, and never less than interesting -- key adjectives in describing the career of 'Beverly DAngelo, which has well passed the four-decade mark. Perhaps deserving better movies than she generally found herself in, she nevertheless was always an object of fascination and the one to watch...whatever the role. Hardly the shrinking violet type, Hollywood counted on her for her colorful personality, down-to-earth demeanor and scene-stealing capabilities.Beverly Heather D'Angelo was born on November 15, 1951 in Columbus, Ohio, the daughter of musicians Priscilla Ruth (Smith), a violinist, and Eugene Constantino "Gene" D'Angelo, a bass player who also managed a TV station. Her maternal grandfather, Howard Dwight Smith, was the architect who designed the Ohio ("Horseshoe") Stadium at Ohio State University. Her mother had English, Irish, Scottish, and German ancestry, and her father was of Italian descent. Beverly once attended an American school in Florence, Italy.Initially drawn to art, Beverly worked as a animator/cartoonist at Hanna-Barbera Productions before moving to Canada to pursue a rock singing career, To make ends meet she worked as a session vocalist and sang anyplace she could -- from coffeehouses to topless bars. At one point the teenager was invited to join up with rockabilly legend Ronnie Hawkins. Beverly's acting career started up when she left the Hawkins band and joined the Charlottetown Festival repertory company. She was touring Canada as Ophelia in "Kronborg: 1582", a rock musical version of Shakespeare's "Hamlet" when the renowned Colleen Dewhurst caught a performance and saw promise in both Beverly and the show. Eventually musical director Gower Champion got into the mix and the show was completely revamped, becoming the rock musical "Rockabye Hamlet", which made its way to Broadway in 1976. While the show itself was short-lived, Beverly's Ophelia attracted fine notices and she soon found herself on the West coast with film and TV opportunities. After this point, she seldom returned to the stage but did star alongside Ed Harris in the 1995 off-Broadway production of Sam Shepard's "Simpatico", which earned her a Theatre World Award.A role in the TV miniseries Captains and the Kings (1976) led to bit parts in The Sentinel (1977) and in the Woody Allen classic Annie Hall (1977). A string of co-starring roles followed with First Love (1977), the Clint Eastwood starrer Every Which Way but Loose (1978) and the film adaptation of the hit counterculture musical Hair (1979). Best of all for Beverly was her powerhouse featured performance as the one-and-only Patsy Cline in the acclaimed biopic Coal Miner's Daughter (1980). Both she and Oscar winner Sissy Spacek (as fellow country singer Loretta Lynn) expertly supplied their own vocals.Playing everything from tough-as-nails prostitutes, party girls and barflies to rich, prim widows and depressed, alcoholic moms, most of Beverly's output was solid during this time. Playing happening kind of gals, she customarily rose above much of the standard comedic or dramatic material given. An interesting gallery of offbeat characters came her way in a number of hit-or-miss features: Paternity (1981), Finders Keepers (1984), Big Trouble (1986), Maid to Order (1987), High Spirits (1988), Cold Front (1989), Daddy's Dyin'... Who's Got the Will? (1990), The Pope Must Diet (1991), Man Trouble (1992), Lightning Jack (1994), The Crazysitter (1994), Merchants of Venus (1998) and Sugar ...